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Bach Cantatas Limited Anniversary Edition 3 - Singet Dem Herrn! / Suzuki - cd
1. Sie werden aus Saba alle kommen, BWV 65 by Johann Sebastian Bach
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
2. Jesus schläft, was soll ich hoffen?, BWV 81 by Johann Sebastian Bach
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
3. Erfreute Zeit im neuen Bunde, BWV 83 by Johann Sebastian Bach
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
4. Singet dem Herrn ein neues Lied, BWV 190 by Johann Sebastian Bach
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
5. O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer: Yukari Nonoshita (Soprano), Robin Blaze (Countertenor), Peter Kooy (Bass),
Jan Kobow (Tenor)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
6. Christ, unser Herr, zum Jordan kam, BWV 7 by Johann Sebastian Bach
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
7. Was frag ich nach der Welt und allen ihren Schatten wenn ich mich nur an dir, mein Jesu, BWV 94 by Johann Sebastian Bach
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
8. Meine Seel’ erhebt den Herren, BWV 10 by Johann Sebastian Bach
Performer: Matthew White (Countertenor), Yukari Nonoshita (Soprano), Makoto Sakurada (Tenor),
Peter Kooy (Bass)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
9. Wer nur den lieben Gott lässt walten, BWV 93 by Johann Sebastian Bach
Performer: Matthew White (Countertenor), Makoto Sakurada (Tenor), Yukari Nonoshita (Soprano),
Peter Kooy (Bass)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
10. Wo Gott, der Herr, nicht bei uns hält wenn unsre Feinden toben, BWV 178 by Johann Sebastian Bach
Performer: Peter Kooy (Bass), Yukari Nonoshita (Soprano), Matthew White (Countertenor),
Makoto Sakurada (Tenor)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
11. Was willst du dich betrüben, o meine liebe Seel’, BWV 107 by Johann Sebastian Bach
Performer: Makoto Sakurada (Tenor), Matthew White (Countertenor), Yukari Nonoshita (Soprano),
Peter Kooy (Bass)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
12. Liebster Gott, wenn werd’ ich sterben?, BWV 8 by Johann Sebastian Bach
Performer: Yukari Nonoshita (Soprano), Robin Blaze (Countertenor), Peter Kooy (Bass),
Gerd Türk (Tenor)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
13. Allein zu dir, Herr Jesu Christ, BWV 33 by Johann Sebastian Bach
Performer: Robin Blaze (Countertenor), Gerd Türk (Tenor), Peter Kooy (Bass),
Yukari Nonoshita (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
14. Herr Jesu Christ, du höchstes Gut, BWV 113 by Johann Sebastian Bach
Performer: Robin Blaze (Countertenor), Gerd Türk (Tenor), Peter Kooy (Bass),
Yukari Nonoshita (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
15. Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
16. Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
17. Ach, lieben Christen, seid getrost, BWV 114 by Johann Sebastian Bach
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
18. Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an’s helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer: Timothy Kenworthy-Brown (Countertenor), Peter Kooy (Bass), Yukari Nonoshita (Soprano),
Makoto Sakurada (Tenor)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 20 Minutes 56 Secs.
19. Das neugeborne Kindelein, BWV 122 by Johann Sebastian Bach
Performer: Makoto Sakurada (Tenor), Timothy Kenworthy-Brown (Countertenor), Yukari Nonoshita (Soprano),
Peter Kooy (Bass)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 13 Minutes 6 Secs.
20. Herr Christ, der ein’ge Gottessohn, BWV 96 by Johann Sebastian Bach
Performer: Yukari Nonoshita (Soprano), Makoto Sakurada (Tenor), Timothy Kenworthy-Brown (Countertenor),
Peter Kooy (Bass)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 17 Minutes 5 Secs.
21. Ein feste Burg ist unser Gott, BWV 80 by Johann Sebastian Bach
Performer: Susanne Rydén (Soprano), Pascal Bertin (Countertenor), Gerd Türk (Tenor),
Peter Kooy (Bass)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: by 1744; Leipzig, Germany
Length: 23 Minutes 21 Secs.
22. Wo soll ich fliehen hin?, BWV 5 by Johann Sebastian Bach
Performer: Pascal Bertin (Countertenor), Peter Kooy (Bass), Susanne Rydén (Soprano),
Gerd Türk (Tenor)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 20 Minutes 42 Secs.
23. Mache dich, mein Geist, bereit, BWV 115 by Johann Sebastian Bach
Performer: Pascal Bertin (Countertenor), Peter Kooy (Bass), Gerd Türk (Tenor),
Susanne Rydén (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 22 Minutes 27 Secs.
24. Nun komm, der Heiden Heiland, BWV 62 by Johann Sebastian Bach
Performer: Peter Kooy (Bass), Makoto Sakurada (Tenor), Robin Blaze (Countertenor),
Yukari Nonoshita (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 17 Minutes 36 Secs.
25. Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen!, BWV 139 by Johann Sebastian Bach
Performer: Yukari Nonoshita (Soprano), Peter Kooy (Bass), Makoto Sakurada (Tenor),
Robin Blaze (Countertenor)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724-1725; Leipzig, Germany
Length: 17 Minutes 31 Secs.
26. Ach wie flüchtig, ach wie nichtig, ist der Menschen Leben, BWV 26 by Johann Sebastian Bach
Performer: Makoto Sakurada (Tenor), Robin Blaze (Countertenor), Peter Kooy (Bass),
Yukari Nonoshita (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 14 Minutes 35 Secs.
27. Du Freidefürst, Herr Jesu Christ, BWV 116 by Johann Sebastian Bach
Performer: Makoto Sakurada (Tenor), Peter Kooy (Bass), Robin Blaze (Countertenor),
Yukari Nonoshita (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 17 Minutes 5 Secs.
28. Ach Herr, mich armen Sünder straf nicht in deinem Zorn, BWV 135 by Johann Sebastian Bach
Performer: Dorothee Mields (Soprano), Pascal Bertin (Countertenor), Gerd Türk (Tenor),
Peter Kooy (Bass)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Concerto Palatino, Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 13 Minutes 53 Secs.
29. Ach Gott, vom Himmel sieh’ darein, BWV 2 by Johann Sebastian Bach
Performer: Gerd Türk (Tenor), Dorothee Mields (Soprano), Pascal Bertin (Countertenor),
Peter Kooy (Bass)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Concerto Palatino, Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 16 Minutes 51 Secs.
30. Ach Gott, wie manches Herzeleid, BWV 3 by Johann Sebastian Bach
Performer: Pascal Bertin (Countertenor), Dorothee Mields (Soprano), Peter Kooy (Bass),
Gerd Türk (Tenor)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Concerto Palatino, Bach Collegium Japan
Period: Baroque
Written: 1725; Leipzig, Germany
Length: 22 Minutes 3 Secs.
31. Aus tiefer Not schrei’ich zu dir, BWV 38 by Johann Sebastian Bach
Performer: Dorothee Mields (Soprano), Peter Kooy (Bass), Gerd Türk (Tenor),
Pascal Bertin (Countertenor)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Concerto Palatino, Bach Collegium Japan
Period: Baroque
Written: 1724; Leipzig, Germany
Length: 16 Minutes 43 Secs.
32. Jauchzet Gott in allen Landen, BWV 51 by Johann Sebastian Bach
Performer: Carolyn Sampson (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1730; Leipzig, Germany
Length: 16 Minutes 52 Secs.
33. Alles mit Gott und nichts ohn Ihn, BWV 1127 by Johann Sebastian Bach
Performer: Carolyn Sampson (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: 1713; Weimar, Germany
Length: 48 Minutes 55 Secs.
34. O holder Tag, erwünschte Zeit, BWV 210: Spielet, ihr beseelten Lieder by Johann Sebastian Bach
Performer: Carolyn Sampson (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: ?1740; Leipzig, Germany
Length: 7 Minutes 0 Secs.
35. O holder Tag, erwünschte Zeit, BWV 210: no 2, Spielet, ihr beseelten Lieder by Johann Sebastian Bach
Performer: Carolyn Sampson (Soprano)
Conductor: Masaaki Suzuki
Orchestra/Ensemble: Bach Collegium Japan
Period: Baroque
Written: ?1740; Leipzig, Germany |
€ 49.95 NU 39.95
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